This introduction is intended for beginners and
hobbyists. But it is
theoretically fairly complete, and can also be extremely helpful to
those
who have taken a photography course or who have been doing photography
on their own, but who feel they "don't really understand what they are
doing" or don't understand why some pictures turn out well and others
turn
out poorly -- people who genuinely feel that when they get a good
picture
it was more because of luck than skill.
- (1) For $15 you will receive a file you can read in your web
browser
that will explain the basic elements and principles of photography,
organized
in a way that helps them make perfectly good sense to you; but they
will
not, at this point, be second nature to you or have "sunk in" very far
to your understanding. That will require you to think about the
principles
as you take more pictures and as you look at them afterward.
- (2) If you wish to continue with private instruction ($85.00),
you will
then be able to receive further explanations by e-mail or by telephone
(inside the US) to any questions you may have about that initial
explanation,
and
- (3) as you shoot your own pictures, you will be able to receive
critiques
of them by sending me JPEG images that I will analyze with you over the
Internet. At this point, the principles explained in the original
instruction
guide should start to sink in and become more automatic.
You may purchase just
the instructional booklet ($15.00) as a file which you can read in
your web browser and print out
for yourself. Then, if you wish, you may continue with private,
individualized
instruction ($85.00), having your questions answered and your
photographs
analyzed and critiqued. I try to analyze the photos in each of two
different
ways:
- (1) from the perspective of what you wish to accomplish,
and
how
to help you do that; and
- (2) from my own perspective in terms of what I might recommend
that you
try to accomplish with the subject you have chosen, and why.
This is so that you can learn how to take pictures of the sort
you
wish to take and so that you can also know, if you care, how I might
have
structured the picture differently in the first place. Foremost,
I want you to be able to take pictures that come out the way
you
want them to, so that when you conceive of a picture you will be able
also
to achieve it. But I also want this instruction to involve some
aesthetic
components in case that might help you improve as well. However,
to some extent aesthetic considerations are more subjective or
personal,
so I will
not be trying to force you to take the pictures I
would
or to take pictures in the way
I would. I want to teach
you
how to get the results that
you want.